One of the items on my thingsiwanttodo list for 2011 was to find and listen to good music. My friend, Scott Feather, put this list on his FB and it's GOOD. And although it's his list for 2010, as he says, it's not about when they're released, it's all about the "find." And aside from the couple I've already heard, I'm finding most of these in 2011. Thank you Scott, for being my first guest blogger of the year.
Songs 2010
by Scott Feather on Friday, January 7, 2011 at 9:26pm
Last year I made a “favorite songs of 2009” list. At the time I it just felt like something I had to do, having heard too many good songs over the course of a year to not talk about them a little bit. I didn’t know if it was something I would be able to do again the next year. I mean, what if 2010 sucked for music? What if I didn’t discover any songs that blew my mind? I’m pleased to announce that is not the case. Awesome songs abound. They always seem to be waiting patiently to be found, and then when you play them for the first time, they pounce like lions. It’s one of my favorite characteristics of music, the immediate impact it can have, like after you hear a great song, the world seems like a different place. 2010 was no exception. Now I’ve said this before, but this isn’t a proper “Best Of” list because some of these songs didn’t come out in the past year. It’s just when I discovered them . . . or how I like to think of it, when they discovered me. I mean, who gives a shit when a song was released? its all about the find. So without further delay, My Top 16 songs of 2010. Why sixteen you ask? Because sixteen is better than ten. I just picked the songs that I had something to say about.
16. Too Long Awake - Idlewild
I’ve always kind of dug this Scottish band, but in a very moderate way, just a song hear or there. kind of a hipster sounding R.E.M. . From their third record Warnings/Promises, it’s undoubtedly the most memorable song they have ever written. I love distortion. But not when its used to simply make the song sound abrasive (I know when you are trying to annoy me, song). I love it when it’s used with a sense of melancholy, when it rides the fence between ugly-sounding and melodically haunting. The guitar in this song sounds like ache. It bends and sways and I close my eyes when I hear it.
15. Right Ahead, Great Sailor! - Right Away, Great Captain
Right Away, Great Captain is the folky side project from Manchester Orchestra’s hairy front man Andy Hull. It is a much lighter serving from a guy whose songwriting is starting to reach startling heights (more from him later). This song is just an acoustic guitar and a kind of lazy, jangly sounding vocals. Clocking in right around two minutes, I just cant seem to get enough of it. You know those little ice cream bites called Dibs? The ones where you pop a couple and then realize you have no physical ability to stop? That’s this song. I listen to it constantly. It’s stuck in my head constantly. It’s like a box of Dibs. Great lyrics too. My favorite lines in a song aren’t the ones that are necessarily that profound, but just the ones that I can extract from the song and attach a personal meaning to them. “how easy would it be if we could see the plan . . . but really what’s the plan?”
14. Beauty School - Deftones
Deftones never cease to amaze me. They remain as bad to the bone as they were when I was a sophomore in high school. As a band they have constantly evolved while maintaining a central thread of identity. Their songs are angry and sexy and sad, often all at the same time. This gem from their latest, Diamond Eyes is one of their most refined statements. Abe Cunninghams drums groove like you would not even fucking believe, and Chino Moreno’s voice comes in, sounding like some kind of amazing combination of confesstion and seduction. It’s absolutely astonishing to me that this band was EVER lumped in with bands like Korn and Limp Bizkit. It simply boggles my mind.
13. Wagon Wheel - Old Crow Medicine Show
As much as I love music, you would be surprised how reluctant I am to hear music people want to play for me. This is, of course, absurd, and something I should definitely work on, especially since sometimes they bring me songs like this. My brother came over to my house and basically made me listen to this song. And it starts, and the verse is cool and I dig the banjo and the twangy vocals ok, and then it get’s to the chorus, and to the part (and if you have never heard this song just go listen to it so you can know what im talking about) “heyyyyyy, mama rock me” and it is game, set, match. Like, holy shit, that’s why harmony exists. It’s one of the glimpses in a song where everything gets stripped to it’s simplest and you understand why the precise appeal of music. Beautiful.
12. Left and Leaving - The Weakerthans.
I love sad songs. But the thing is they rarely make me sad. I don’t know what that means about me, but it’s always been like that. Case in point, Left and Leaving. It’s a crushing post break-up song, that, from what I gather has the poor chap wandering around trying to keep his mind off his lost love. Typical story, except this dude is an above average writer. “I wait in 4-4 time, count yellow highway lines . . .” It’s such a concentrated line about loneliness. Devastating. And every time I hear it I smile inappropriately.
11. Hole In the Fence - Person L
How a song this beautiful came from the brain of a former pop-punk front man who was best known for one MTV song and his spiky bleached blonde hair astounds me. Kenny Vasoli makes a magnificent leap from The Starting Line to this band, writing songs that you feeled compelled to stop what youre doing a listen to. It sounds more like Explosions in the Sky than Green Day. And Holy Mother of God, that’s a good thing. This song was responsible for a mix I made for someone I titled Driveways at Night. It’s the kind of song that if its on when you’re driving home and its still going when you get there, you sit in your car and finish it. It’s just too good to cut short.
10. Just Stay - Kevin Devine
If you ever get a chance to see this dude live, you better go. One of the best shows I have seen (not the very best though, we’ll get to that in a bit). He played at a coffee shop and there were maybe thirty-five of us there. He just played without a mic and song his heart out. This was my favorite that he sang. It’s shows off his vocal range, going from a sweet melodic verse to the bridge that finds this anger brimming to the surface. But if you look at the lyrics, the anger was always there. It was just musically well hidden. “she said “it’s pretty but you hate yourself, I can hear clear as day.” I said I sing like this, it sounds worse than it is, I’m ok . . .ok.” Maybe this justifies why I like sad songs so much. Sometimes they just sound fucking great.
9. Swim - Surfer Blood
Like the Old Crow song, sometimes it can be one particular moment in a song that can win me over. Like, I may have been halfway listening and then this . . . part happens, and it’s like “what the hell was that?!” Swim has one of those moments. They have a really indie sounding vocal approach (think somewhere in between early Shins and Band of Horses) and in the chorus there is a line he keeps repeating “Swim to reach the end.” On the very last one he just fucking loses it. “Swim to reach THE END!!!!,” hitting this elevated note. I remember exactly where I was when I heard it and made Sam rewind it about four times. Ok, so there are pictures of me at a Halloween party and in this one pic I’m clearly singing and have my fist clenched. I know that I’m listening to that song, because I have the exact same physical response every time that song comes on.
8. Small Skeletal - Crime In Stereo
I’m pretty sure this is the song I have listened to more than any other song in the past year. You know when bands at one point belonged to some kind of intense genre like punk or hardcore and then get labeled sellouts because their new songs start to take one this new sound that’s not as hardcore or punk as it used to be. Yeah, I tend to love those bands. Crime In Stereo were an edgy hardcore punk band that’s music kept getting more and more versatile. But what a band loses in so-called integrity they make up for in a more free form of expression. This post hardcore gem has one of the most memorable first verses I can remember. From what I can gather the song is talking about cigarettes and cancer. “Now each day I sink a bit further into my father’s fate. Four packs a day, four decades straight right into an unmarked grave.” And then the chorus where he screams “I used to think it would sleep!!!” And as cool as the lyrics and vocals are the real kicker is when that drummer starts wailing on those toms in the chorus. Try not moving your head when that part comes on. Can’t do it. You just can’t.
7. Popinjay - Joy Formidable
This is got to be the best, I guess random is the word, band I have ever stumbled across. AP Magazine had this little paragraph about them and I liked the buzzwords they used to describe them. “Walls of guitars” and “shoe gazer” but “raw and melodic.” So I gave em a quick listen and it took about twelve seconds to figure out that they absolutely fucking rule. Their songs are so melodic, so sexy, so hard hitting, so fucking loud. It’s all the reasons the Pixies are great. Its all the reasons My Bloody Valentine and Slowdive are great too. And this song . . . oh man, this song. I mentioned once before, this song has this cockiness to it. I love when a song is so good you can hear that they know how good it is. I have this weird thought of them playing this song at some kind of battle of the bands, finishing, and just walking off stage like, “your move, bitches.” and no one, the crowd, the judges, the front of house, having the slightest idea what hit them. This song is literally that good.
6. Sigh No More - Mumford and Sons
Oh, this band. Is there a band that released an album in the last year with such a pure, joyless, heartfelt delivery as Mumford and Sons? How about, well, ever? I knew this band was good from the first time I heard them, but nothing, NOTHING, could have prepared me for seeing them live. I have never seen anything like it. Oh, I’ve seen great shows with great crowds, but this was different. This was spiritual. There was a connection between the band and the crowd, this shared energy, that I can only describe as joy. People sang. People clapped. People put arms each other. This was more than a live show. This was a gathering. With the exception of a few special New Years Eves, I have never felt such comradery with complete strangers. They opened with this song, and when the get to the chorus and the lead singer has the kick pedal set up by the mic and he starts hammering that thing and singing “Love it will not betray you, it will not dismay you, it will set you free” the crowd just erupted. I’ll never forget it. It would even be alright if another show never topped it. If you get the chance to see this band, do it. You’re not going to convince me of an excuse good enough not to.
5. Love Is All - Tallest Man On Earth
This is another song that has a moment that simply cannot be ignored. It’s a beautiful folk song that frankly, sounds from another era. He sounds more like Woody Guthrie than any other singer I can keep of. Its such a simple song, just him and an acoustic guitar, no accompaniment at all. And this chorus “Oh, I said I could rise from the harness of our goals, here come the tears but like always I let them go.” and when he hits always . . . I swear to God. It’s like the world stops revolving for a split second to hear this guy. His voice just sounds shredded and soulful. The song soon ends and the everything unfreezes, but if you listen to this song, prepare to be stopped in your tracks, if only for a few seconds.
4. Lemon world - The National
It could have been several songs off this band’s newest release High Violet, but this is the one I keep gravitating to. The National have been one of my favorite bands for several years now, but on this record they take it up a notch. Interestingly this is probably the simplest, most laid back song on the record. I think I can’t get enough of it because its so much fun to sing along to. “I‘m too tired to drive anywhere anyway right now, do you care if I stay” . . . the song just grooves. Singer Matt Berninger has the raddest phrasing, creating lines that are awesome not so much for what he is saying but more how he is saying it. Favorite line of the whole record “I’ll try to find something on this thing that means nothing enough.” I like to imagine being at someones house, someone you don’t know very well, and your rummaging through their records or scrolling through their ipod, and you’re trying to find the song that is perfect. Not too overbearing or epic, but not too easy to ignore or nothing-ish. Just . . . nothing enough.
3. It’s Ok With Me - Manchester Orchestra
I remember the first time I heard this song and the first half of the song was so beautiful that I was just praying “Please, please don’t take some weird turn for the worse. Please don’t start rocking out for no reason. Just stay like this.” And thank God it does. A drumless, baseless mournful dirge of a relationship just slowly, inevitably falling apart. The only other song I can think of to compare it to is the Hallelujah version by Jeff Buckley. I swear, when I listen to this song, its like a weird blend of every raw emotion
from a breakup I’ve ever been in. Which probably sounds fucking awful, but when I hear this song it’s, like Natalie Portman said in Garden State, like I’m in it. Andy Hull has one of the best voices I’ve ever heard and I think this band is going to be around a long time. The only bummer is this song is hard to find. It got released on a four song EP that came with their record when you bought it a local record store, some kind of promotion for buying local. But music nerds, just do what you need to do find this song, because its worth the effort.
2. Stay Lucky - The Gaslight Anthem
Is it premature to say Gaslight is on their way to being the most important rock band of our time? Maybe, because I think the term “important” is kind of stupid. However music affects you is valid regardless of what critics or magazines or the masses think. But if I did like such a stupid term, I think Gaslight would be that band, because, my God, they feel important to me. I didn’t think they could top their sophmore masterpiece ‘59 Sound, but they may have done just that with their new record American Slang. No longer are they writing songs about being in love and wild and being twenty. Now they are writing songs about being thirty, and how life just doesn’t seem to be turning out quite how they envisioned. “Mama told me there would be days like these until it was much too late to recover.” The best compliment I can pay this band is it feels like they are writing my songs, songs about my life. I think everyone at some point needs to have that band. It wouldn’t surprise me if The Gaslight Anthem could be it.
1. Hip Hop Saved My Life - Lupe Fiasco (Featuring Nikki Jean)
It crossed my mind to bury this song somewhere in the middle of this list. I mean, its unlike anything else on the list, and isn’t a good example of what I normally listen to. And it’s not like I can relate to this song exactly, the economic struggles of an aspiring MC who is trying to support a family. I thought about all those things but honestly it doesn’t matter, because the truth is, there was not a song in 2010 that I had a stronger emotional reaction to. Not one. I have this memory of driving on I-40 and listening to this song and realizing I was dangerously close to tears. What the fuck?!? The oddest thing is that phenomenon has happened a bunch of times. There is one thing I’ve never quite understood about punk rock. Making money is bad? I’m sure that’s a blanket statement but what I love about this song is that is exactly what it’s about. At the end you hear what he would do if he had more money and the content with Lupe’s urgent delivery is breathtaking. “told her when he get home he’ll take her to the gallery and buy everything but the mannequins.” It must be the passion. I’m starting to realize more and more that often in music, like the National song, its not what you say, it’s how you say it. I can’t think of anyone in any song who said it better than Lupe Fiasco did in this song.
So there you go, friends. These are my favorites of 2010. You should listen to them because I think there is a good chance you will like them. I hope at the very least there were some songs that had a similar effect. We’ll see what 2011 has to offer. Happy New Year.
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